Woman riding

Woman ridinghttps://ameblo.jp/colopl-bp/entry-12575306095.html

Woman riding

I met someone who graduated with me today. He forced me into a tavern. I was heard of him as a beer bubble. It was past 12:00 when I returned to my boarding house.
(From Natsume Soseki's "Kokoro")

These casual expressions, when they realize a certain fact, seem only intentional.
I write "What is it?"
Is there any assertion that the wife of the teacher, the only woman in the "Kokoro" called "Shizu", is actually a tactician, and that K, the teacher, and "I" have been successfully manipulated?
As I mentioned in my previous book, if I adopt the idea of ​​some kind of bias, I think it's OK to acknowledge that there is such a factor.
However, I think women have good and bad things, no harm, no consciousness of the plan, and the ability to swing a man without knowing it. The teacher's wife in "Kokoro" certainly turned "I" into a trick star.

I was instructed by him to go where he was. It is said that the teacher usually goes to Buddha in the cemetery of Zoshigaya on that day to pick up flowers. "I'm just out and it's going to be enough or not," said the wife.
(From Natsume Soseki's "Kokoro")

In fact, there is a mechanism here that makes people who read Soseki's diary and the like a "medicine".
Soseki's wife only answers the question silently, but one day when Soseki stares at the chopsticks, she speaks, "Is it dirty?" And complains, "I was made to talk." . Soseki complains that his wife often goes to court every month.
The wife replied to "I" that he had not been asked explicitly, leading him to the grave.

"Actually, I have a little thought, but ..."
"What's the cause of the teacher going like that?"
"Yes. If it were the cause, my responsibility would be gone, and that alone would make me very easy, but ..."
"What is it?"
His wife was looking at his hand resting on his lap with a good bite.
"Because you judge me."
"I'll do it if I can."
"Everyone can't say it. Everybody is scolded. Only where they can't be scolded."
I was nervous and swallowed saliva.
"When my teacher was still in college, I had one very close friend. He died shortly before graduating. He died suddenly."
His wife whispered in my ear and said, "In fact, she died." It was such a good thing that I couldn't help but ask "Why".
"I can only say that. But after that. The reason that the nature of the teacher gradually changed. I do not know why he died. You probably don't know, but if you think your teacher has changed, then you can't seem to be so. "
"Is that person's grave in Zoshigaya?"
"I don't want to say that, but I guess humans can change so much just by losing one of my best friends. I just want to know that and I'm intolerant. I want you to judge it. ''
(From Natsume Soseki's "Kokoro")

Looking back to the end, looking back, it certainly seems to have said the answer, not just the hint. He whispered in a whisper and became interested, saying that he didn't want to say, and involved "I".
However, in order to read his wife's tactics from such behavior, it is too self-evident that "if that is the cause, my responsibility will be gone, and that alone will make it very easy for me".
It's clear from a conversation just before that he decided that he wouldn't take any responsibility if he delved into K's death.

"Don't you think I'm to blame," suddenly the wife asked.
"No," I replied.
"Don't hide me, it's harder than being cut off," said the wife again. "I'm still doing everything I can for the teacher."
"It's okay because Dr. Sori can acknowledge that too. Please rest assured, I guarantee."
The wife scraped the ashes of the brazier. Then water was poured into the iron kettle. The iron kettle sunk.
"I finally became impatient and asked the teacher. If you have a bad point, don't hesitate, if you can change the fault, you can fix it. It's just me. When I say that, I'm sad and there's no specification, tears come out and I still want to hear my bad place. "
His wife had plenty of tears in his eyes.
(From Natsume Soseki's "Kokoro")

I guess it's a bit unreasonable to interpret my wife as a tactician after knowing everything, because I can't go wrong so far.

I came across K on the strip. I was just distracted by my feet, and until I faced him, I was unaware of his presence. I suddenly turned my eyes up because myself was blocked up, and for the first time I recognized K standing there. I asked K where he went. K was up to that point. His answer, as usual, was pretty good. K and I switched bodies on a thin belt. Then I saw a young woman standing just behind K. I, my shortsighted, did not know it well until now, but after passing K, I saw the woman's face and I was somewhat surprised because it was a young lady at home . The young lady greeted me with a red heart. The bundle of hair at that time did not have a shower unlike now, and it was wrapped around the head like a snake. I was looking at the young lady's head, but the next moment I realized that I had to give way. I stepped into the muddy plunge. Then I left a place that was relatively easy to pass and handed my young lady.
Then I went to the street of Yanagimachi and I didn't know where to go. I feel like it's not fun no matter where I go. I walked desperately in the Nukaumi without worrying about rising mud. Then I came home immediately.
(From Natsume Soseki's "Kokoro")

This scene, written in the teacher's letter, is full of jealousy, strong anger, and regret. I try to make the teacher empathize with what I read and make him feel uncomfortable and miserable. It doesn't say "the lady is bad," but she writes so that the lady looks bad.
That's why it is not funny even if some readers think that "wife is a tactician."
However, I said, "But I think women can do good or bad, and do not be guilty, not even conscious of the plan, and can wield a man unknowingly." Is not without reason.

When it came to the attitude of the young lady, there was a point where the distinction was a little evident, whether to do it on purpose or to know innocently. As a young woman, she was thoughtful, but she didn't seem to have any dislikes common to the young woman. The thing I hate was that K first came to my eyes after K came home. I was a little confused as to what could be attributed to my jealousy of K, or what should be mimicked by my daughter's skill against me. I still do not want to negate my jealousy at that time. As I reiterated, I was clearly aware of this emotional behavior on the back of love. And, from a nearby point of view, this emotion would surely want to lift the neck, almost insignificantly trivial. This is a necessity, but is this kind of jealousy a side of love? After I got married, I realized that these feelings were going away. Instead, affection is never as fierce as before.
(From Natsume Soseki's "Kokoro")

Soseki himself wrote through his teacher's writing that the reminiscent attitude of young women is common.
A beautiful, insensitive, patient wife, if that were the impression of a reader who did not doubt his tactics, I pointed out in the previous book that there were some oversights.
Possibility of no physical relationship between his wife and teacher, possibility of enduring and suffering for many years of sexlessness, that it is not only a punishment for the teacher himself, but also a punishment for his wife, and It is to straddle the teacher and tie it with hair.

The teacher's home was only for a couple and a daughter. Every time I went there was usually a shave. There was no attempt to hear a loud laugh. At one point, the things in my house felt like just my teacher and me.
"I'd like to be a child," he said. I replied, "Yes." But there was no sympathy in my mind. I had never had a child, and I was thinking of my child just as a fly.
"Let's get one," said the teacher.
"You're a kid, hey, you," said the wife again.
"I can't do anything for a child," said the teacher.
His wife was silent. When I asked instead, "Why," he laughed high, saying, "Because it's a punishment."
(From Natsume Soseki's "Kokoro")

The conversation suggests that the teacher and his wife are sexless, even though she is still of childbearing age. And above all, it turns out that his wife wants a child. (Even if you live separately from your wife, it is not unusual that Soseki, who made a child, depicts such a couple.
Just as the hint suggests, if sexlessness lasts for decades and isn't touched, I guess it's hard for my wife.
Therefore, I want to doubt that the truth of the couple is hidden in such a conversation.

"But you have to be careful. Love is guilty. I'm not happy at the expense of danger, but do you know how you feel when you're bound with long black hair? "
(From Natsume Soseki's "Kokoro")

If the teacher knew what he was feeling when tied up with long black hair, then he would have actually had that experience. Did he ride his back teacher and tie his wrist with long black hair? Or does it refer to "the curse of the mind by women" in an abstract sense? It is not clear here. However, "The bundled hair at that time has no conspicuousness unlike now, and it was wrapped around like a snake in the middle of my head." In view of the metaphor of an unnaturally used snake, this long black hair seems to be both, and it is hard to say either.
In other words, it is an illusion.

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